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No Man's Land

from Real Britannia by Ultrasound

/
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  • Compact Disc (CD) + Digital Album

    ‘Into my heart an air that kills
    From yon far country blows:
    What are those blue remembered hills,
    What spires, what farms are those?
    That is the land of lost content,
    I see it shining plain,
    The happy highways where I went
    And cannot come again’. – A.E. Housman (A Shropshire Lad 1896)

    These words were quoted by Dennis Potter at the beginning of his play “Blue Remembered Hills” first aired on the BBC’s “Play For Today” in 1979. It deals with childhood and adolescence, a world of innocence and cruelty, adventure and tragedy, and it’s portrayal of those halcyon days through adult actors gives a greater insight into the politics and drama of the machinations of that nether world where emotions and fears are heightened and more intense and affecting than they are when we enter adulthood. This is something I was keen to explore in musical terms as, after all, music was an important part of my shaping as a child, and as an adult.

    This album concerns itself with themes of childhood, nostalgia, desire, secrets and sex, set in a Seventies environment of bubblegum and concrete and Top of the Pops, of cub scouts and power cuts, civil unrest and hazy summer lawns. This isn’t just a bunch of songs bunged on a disc. This is conceptual – an idea of an overall sound captured on tape. An idea that you put the needle on the record and go on a spiritual journey with us into light and dark dreams and wash up on the shores of life somehow changed, hopefully for the better. Music is important to us and to our fans. It is not just a chart obsessed “here today” type thing, but has a lasting permanence – a sense of eternity and something that should outlive us all. Music, like love, is forever.


    We are five people who become something greater than the sum of our parts when we write and play. Magic, channelling, healing, ascension, whatever you wish to call it. It is a calling, a necessity, something we merely act as conductors for, something powerful we must complete and send it out into the hearts on this earth. We would like you to join us on this journey so that together we can make a brighter future, a lasting impression, a permanent influence, and contribute human ascension.

    Includes unlimited streaming of Real Britannia via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days
    Purchasable with gift card

      £10 GBP or more 

     

  • Record/Vinyl + Digital Album

    ‘Into my heart an air that kills
    From yon far country blows:
    What are those blue remembered hills,
    What spires, what farms are those?
    That is the land of lost content,
    I see it shining plain,
    The happy highways where I went
    And cannot come again’. – A.E. Housman (A Shropshire Lad 1896)

    These words were quoted by Dennis Potter at the beginning of his play “Blue Remembered Hills” first aired on the BBC’s “Play For Today” in 1979. It deals with childhood and adolescence, a world of innocence and cruelty, adventure and tragedy, and it’s portrayal of those halcyon days through adult actors gives a greater insight into the politics and drama of the machinations of that nether world where emotions and fears are heightened and more intense and affecting than they are when we enter adulthood. This is something I was keen to explore in musical terms as, after all, music was an important part of my shaping as a child, and as an adult.

    This album concerns itself with themes of childhood, nostalgia, desire, secrets and sex, set in a Seventies environment of bubblegum and concrete and Top of the Pops, of cub scouts and power cuts, civil unrest and hazy summer lawns. This isn’t just a bunch of songs bunged on a disc. This is conceptual – an idea of an overall sound captured on tape. An idea that you put the needle on the record and go on a spiritual journey with us into light and dark dreams and wash up on the shores of life somehow changed, hopefully for the better. Music is important to us and to our fans. It is not just a chart obsessed “here today” type thing, but has a lasting permanence – a sense of eternity and something that should outlive us all. Music, like love, is forever.


    We are five people who become something greater than the sum of our parts when we write and play. Magic, channelling, healing, ascension, whatever you wish to call it. It is a calling, a necessity, something we merely act as conductors for, something powerful we must complete and send it out into the hearts on this earth. We would like you to join us on this journey so that together we can make a brighter future, a lasting impression, a permanent influence, and contribute human ascension.

    Includes unlimited streaming of Real Britannia via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days
    Purchasable with gift card

      £15 GBP or more 

     

lyrics

Us boys are free to graze our knees
We live to fight the foe
With British bulldog balls we make our stand
We play the game with dirt streaked frames
Our enemies will know
We're here to play a game called no man's land

Brothers in arms we fight to save our lives
Every Morn from 9 till 4
Crying war
With drums and knives
We pack our troubles in our old kit bag and smile
Boy to man
We crawl through fences into no man's land

Us men are here to follow fear
We're made to fight the foe
With British bulldog balls we make a stand
We go to war with nothing more than what we have to show
We've come to play a game called no man's land

Brothers in arms we fight to save our lives
Every morn we heed the call
Crying war
With drums and knives
We pack our troubles in our old kit bag and smile
Man to boy we break the fences down

credits

from Real Britannia, released May 1, 2020
Green/Wood

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Ultrasound London, UK

Ultrasound are an English indie rock band. With roots in the British underground psychedelic and experimental rock scenes of the 1980s and early 1990s, the band emerged in 1997 and soon gained attention for their "operatic prog-glam ambitions" and "violent reworking of the idiosyncratic compositions of Captain Beefheart and the staged ambisexual pop idioms of the likes of David Bowie ... more

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